After reading
MoodyTunes earlier today, I found myself flipping through the radio channels in my brain listening for all that music which was--and in many ways still is--the soundtrack to my life.
I grew up listening to a lot of my dad's cassette tapes: Foreigner, ZZ Top, Neil Young, The Miami Vice Soundtrack, Kansas, Bad Company, Fleetwood Mac, Journey, Pink Floyd--just to name a few.
I remember sitting on my bed in my upstairs bedroom listening to my radio as a young teen. Dark brown wood panelled walls; a fan humming in my window mostly just stirring up warm air; a
M.A.S.K. toy peeking out from beneath a pile of clutter in my closet. (It was
Hurricane.)
Then that fateful song we've all heard too many times came ripping through the speakers of my little radio: "Smells Like Teen Spirit." I know, I know...how many blog posts can possibly be written on a subject? Still I wonder though how one song, consisting only of a simple four-chord progression and nonsensical screaming lyrics, could have tattooed itself so completely on almost an entire generation.
From then on, I began discovering my own music. The search uncovered so many bands I can't even begin to name them all here, but more than that, it led me toward the seat of my own creativity and I began to scrawl my emotions on paper in the forms of poetry, angst-ridden essays and strange stories. I began playing guitar and singing. (The main riff from "Smells Like Teen Spirit" was one of the first I learned.) I started writing songs.
Time went by and I began playing rhythm guitar and singing backup for a local band called Plew. We did covers of songs by the likes of Candlebox, Pearl Jam, Metallica, Bush, Collective Soul. We began playing some of my songs, and songs we wrote collaboratively.
I remained a member of Plew, but branched off into my own band called The Brink, where I sang lead vocals and played rhythm guitar. We wrote songs and played at bars and parties until I had had enough. Drugs and alcohol and the months without sleep that our living-like-rock-stars lifestyles had become burned me out. I still performed occasionally in any of the three bands which formed during this musical revolution in our small Missouri town, but I was no longer dedicated to the lifestyle; the mood; the angst. I was done with it. The itch was gone.
I continued writing songs though and was eventually enlisted to help a popular local band called Splendor record their first album. By this time I had begun to play piano and synthesizer, and they just wanted some "texture tracks" of strings and piano to give their songs a little more depth. We formed a friendship and I began touring around the Midwest with them performing and collaborating on new material. It was hard work but rewarding. By the time I stepped down two years later, we had performed in front of thousands and thousand of people. We never did the arena thing or anything like that, but we got to play a few shows in front of more than 2,000 people. (That's a lot of eyeballs watching you try not to botch a tricky guitar part.)
We once played this giant, extravagant theater but the promoter had published the wrong date so only three or four people showed up. We played our guts out anyway.
After all that music, all those faces, all the drugs and pain and fun, and after the liquidation of myriad guitars, keyboards and musical doo-dads, there was left in the filter only one thing. The music had long been mostly flushed away, but I was still writing.
I figure I'll keep doing it for a while.